I am the viola player in the Grainger String Quartet.
Below, I offer a number of music files which may be of interest. I present them in Noteworthy file format (.NWC). This format is used by an excellent shareware music notation package which I strongly recommend: visit the Noteworthy site. There is a freeware version of NWC for playback purposes, but it is well worth trying the full product.
For some of the items here I also provide a MIDI download. Don't hesitate to e-mail me if you'd like me to make further MIDI downloads available.
Here are some of my early compositions (at least their disk size is proportionate to their musical interest):
Psalm 141 for 4-part male voice choir (1970) — Noteworthy format and MIDI.
Præludium for unaccompanied violin (1972) — Noteworthy and MIDI
Where is Fancy Bred? For voice and harpsichord (1975) — Noteworthy and MIDI
Tallis's hymn O Nata Lux — Noteworthy and MIDI
John Bull's Ut Re Mi from the
Fitzwilliam Virginal Book —
Noteworthy and MIDI.
Interesting because of the way it passes through all the keys:
apparently one of the earliest examples of enharmonic
key-change.
Bach Kanon X from Das Musikalisches Opfer: Noteworthy and MIDI.
Purcell 4-part Fantasias
Elgar: Chanson de Matin — Noteworthy.
Here are some well-known ditties whose settings I hope will amuse you.
And some short ones by me:
Some of the second parts of Purcell's Fantazias go below g, and so require the second violinist to take up the viola.
Purcell 4-part Fantazia 6 in F — Noteworthy
Purcell 4-part Fantazia 7 in c Dorian — Noteworthy
Canon Per Tonos — Noteworthy
Canon I — Noteworthy
Tallis: Ricercar — Noteworthy
Purcell 5-part Fantazia "Upon one Note" —
Noteworthy
(The second viola player's part is not very taxing,
since it involves playing only a sustained middle C, and could equally well be
played on the violin.)
Here is a superb work by Kodály which I took down from the CD (recommended: Hungaroton HCD 12948). Entitled Arva Vagyok (I am an orphan, 1956), the words are utterly miserable and despairing. The tune is suggestive of a Csík origin, with a highly decorated melody whose rhythm varies in each verse. The scoring is for 3-voice female choir, and each part takes the tune in turn, working downwards from Treble I to Alto. Note the inventive final harmonic sequence. My barring in the Noteworthy version is quite conjectural (not to say Stravinskyesque). I have written out the ornaments and the final ritardando to the best of my ability. And, with apologies for the poor sound, here is a MIDI version so that those of you still without Noteworthy can get an idea of what I am enthusing about.
This is a remarkable piece, obsessively centred on the tonality of A. I have written the ornaments out in full to get them the way I would want them played. — Noteworthy and MIDI.